One of things that I like about Elton John is that he is a true lover of music. He grew up as collector of 45s & LPs and is as big a music fan as any other musician out there. So when he had the opportunity to start his own record label in the early 70s, rather than search for new artists to make from, he used it to boost the careers of two singers from his childhood: Cliff Richard & Neil Sedaka.
Neil had been recording albums in England at Strawberry Studios with a pre-10cc as his back up band. In fact his 1973 original recording of Love Will Keep Us Together was like Neil fronting 10cc. When Elton heard that Neil was having trouble getting a record company deal to release new material in the States, he signed him and released Sedaka’s Back, a compilation of his last 3 albums, Solitaire, The Tra-La Days Are Over and Laughter In The Rain. After the title track of the latter’s album became #1 in early 1975 along with the Captain & Tenille’s version of Love Will Keep Us Together, Neil had the new challenge of coming up with a follow-up. That’s when things got nasty.
Nothing was nasty between Neil & his boss. In fact Neil was very appreciative of new career revival thanks in part of Elton John. But after 2 decades of singing sweet love songs, Neil decided to mix it up. With new songwriting partner Phil Cody (After years of writing with Howard Greenfield), they crafted a song about helping a friend get over the break-up of a girlfriend over a Bo-Diddley shuffle, telling his pal she’s an evil child and quite frankly, a bitch. This, from the guy who loved his calendar girl and told us that breaking us was hard to do. Now it seemed Neil had no trouble cutting the cord.
Elton, who sang back-up on the chorus, already told us the bitch is back and took it up to #4. But Neil took his bitch song up to #1 for 3 weeks. The next time we heard someone call someone a bitch that high on the pop charts, Meredith Brooks was calling herself that 22 years later. I don’t mean to dwell on this, but Top 40 radio has always had such a Puritanical view when it came to lyrics and I love how this one kinda snuck by them. Maybe it was the goofy doo-ron doo-ron bridge and flute solo that made this kiss-off easy to swallow.
The main thing is that there isn’t a song in his Neil’s catalog that comes close to this and it’s one of my favorites. Of course I didn’t know what bitch meant when I was 5 but I knew I shouldn’t say that word. So I listened to that song just to hear Neil sing it and giggle. When my aunt explained that a female dog was a bitch that just made me laugh harder. One more thing: is the only good thing about bad blood, letting it slide? I don’t even know what the hell that means.